Cons: Weak sub-plots, Hallmark cheese
The Bottom Line:
Producer murdered
Strong mystery, weak sub-plots
Overall, it’s good
“Should I Be Good Cop or Bad Cop?” “Let’s Be Lawyers.” “That Will Never Work.”
Last year, Hallmark introduced us to another new mystery
movie franchise with Darrow and Darrow,
a movie centering on lawyers. Based on
the cast involved, I wasn’t surprised to see them come back with In the Key of Murder, which was a movie
worthy of the main characters.
As you might have guessed, this case gets us into the world
of music. Early on we meet Phoebe
(MacKenzie Porter), a young singer recording her first record under producer
Terry. Terry is demanding, to say the
least, and when he learns that Phoebe wants to leave him for another producer,
he flips out.
It turns out that Phoebe is the half sister of Miles (Tom
Cavanagh), the assistant district attorney and love interest to Claire Darrow
(Kimberly Williams-Paisley). Claire is
still running her father’s small law firm, which is barely making enough money
to pay the people who are working there.
She can’t help to take on cases against overwhelming odds even if the
clients can’t pay.
But she is very good as what she goes, which is a very good
thing for Phoebe. Late one night, Terry
is shot in his studio, and the evidence overwhelmingly points to her. Miles and Claire team up to clear Phoebe of
the crime. But can they do it?
As a mystery, this is a good movie. There were several viable suspects, although
some of their relationships took me a little while to figure out. The frame job on Phoebe was masterful, yet we
didn’t get bogged down in explanations at the end when everything was
solved. The climax is a Perry Mason
inspired courtroom scene. I know it
would never happen like that in real life, but it makes for a fantastic climax
in fiction.
My problem came from the sub-plots. The associates at the law firm were given one
about becoming a team, which was fine, but not really handled well. This was disappointing since I loved these
characters in the first movie.
Meanwhile, Claire’s daughter Lou (Lilah Fitzgerald) is stuck with a
sub-plot about trying to get on the school baseball team. I think my biggest problem with both of these
was the predictability of both of them.
Fairing slightly better was the sub-plot involving Claire’s mom Joanna
(Wendie Malick) and her first case back at the firm. It really helped that those scenes were
pretty funny.
As you can see, there are some bigger names in the cast than
in some Hallmark movies. I felt they all
did a good job with their roles, as did the rest of the cast. Of course, this does come with the standard
Hallmark cheese warning, but if you are expecting it going in, you’ll be fine.
Once again, Hallmark has produced a light, fun mystery. If that’s what you are in the mood for, In the Key of Murder with more than
satisfy.
I need to try this one. It doesn't appeal to me as much as the ones based of cozy mysteries but I do love a good Hallmark mystery!
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