Stars: 5 out of 5
Pros: Strong characters and mystery
Cons: None worth bringing to the present
The Bottom Line:
Irish mother dies
Ignites some racial tension
Always engrossing
An Irish Death in Little Italy
I have quickly come to learn exactly what to expect when I
pick up one of Victoria Thomas’s Gaslight Mysteries – an engrossing trip back
in time that completely captures my interest.
That’s exactly what happened again with Murder in Little Italy, the eighth entry in the series.
The series features Frank Malloy, an Irish police Detective
Sergeant, and Sarah Brant, a midwife, in 1890’s New York City. Their paths seem to keep crossing at the site
of various murders around the city and Sarah uses her position to find out
information that helps Frank solve the case, much to Frank’s dismay. The two have also developed very strong
feelings for each other, feelings that neither of them are willing to admit to.
Sarah is called by the Ruocco family for a birth in their
home over their Italian restaurant.
Antonio’s new Irish wife, Nainsi is in labor, but she is two months
early. However, when the baby arrives,
Sarah begins to suspect that the baby is actually full term and Nainsi lied
about when she got pregnant. When Sarah
returns for her follow up visit the next day, she finds that Nainsi died in the
night – although sarah quickly realizes that Nainsi didn’t die from
complications from child birth and sends for Frank. Since Frank is Irish, his presence draws
suspicion from the family. As the racial
tensions in the city over this incident begin to rise, Frank must find a way to
solve the case. Can he do it with
Sarah’s help?
The previous books in this series have explored many
different neighborhoods and elements of the city at the time, but they have
only mentioned some of the racial tensions of the city. This one brings it to the foreground, and it
adds a nice element to the mystery. It
also means that Frank gets a partner in the investigation, a newer Italian
police officer, something he hasn’t had in the past. I hope we see this character again since I
really liked him.
The books in the series usual do a good job of balancing
Sarah and Frank investigating and finding clues. I can’t point to anything specifically here,
but I feel like Frank did more investigating this time around. This isn’t to say that Sarah isn’t an active
part of the book, but she isn’t questioning people or finding reasons to visit
them as much in this book. She still
manages to find out some key information that helps solve the case, so maybe
it’s just my perception instead of reality.
Either way, the two continue to be strong lead
characters. While we do get a little
forward progress on some on-going storylines, it is very minimal and even some
of the supporting players don’t put in appearances. The focus of this book is on the case at hand
without much room for sub-plots.
This case is certainly strong enough to support that. The new characters are wonderful. They sprang to life from the first time we
met them, and I honestly could have seen any of them being the guilty party
before the book was over. We get several
good clues and some red herrings and twists before Sarah and Frank both figure
out what really happened. And make no
mistake, they do both figure it out.
Murder in Little Italy
is another strong trip back in time to solve a fantastic mystery. These visits are over all too quickly. Now to reluctantly return to the present
until I get a chance to return to Sarah and Frank’s world.
After reading this, you'll definitely want to check out the rest of the Gaslight Mysteries.
This review is part of this week's Friday's Forgotten Books.
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