Pros: Amazing animation; powerful story
Cons: Though it tries, this isn't a kid's movie.
The Bottom Line:
Movie for adults
With much they can think about
If they will watch it
Note: While the picture above is the currently in print two movie Blu-Ray set, I am only reviewing the original Disney animated movie at this time.
A Powerful Filmed Aimed More at Adults than Kids
I would have really liked to be in on the meetings that gave
us Disney version of The Hunchback of Notre Dame. While I have never read Victor Hugo's
original novel, it never screamed out to me "Disney classic
material." They attempted to make
the dark material lighter in tone. I do
really like the film. But at times it
feels like it is trying to appeal to too broad an audience.
In the Middle Ages, the city of Paris is ruled with an iron first by Frollo
(Tony Jay), the chief magistrate. Frollo
has made it his mission to destroy the gypsies.
While he is doing that one night, he winds up with the baby Quasimodo
who even as a baby is misshapen. Guilted
into raising the child as his own, he places Quasimodo (Tom Hulce) in the bell
towers of Notre Dame and attempts to keep him hidden from the rest of the
world.
Quasi gets tired of staying in the tower, however, and
ventures forth during the annual Festival of Fools. It is there that he meets Esmeralda (Demi
Moore), a beautiful gypsy who is actually nice to him. But the crowd quickly turns on him when they
see how deformed he is. That's nothing
compared to how Frollo acts toward Esmeralda, however. He attempts to get his new captain of the
guard Phoebus (Kevin Kline) to arrest her.
But Phoebus has other plans. When
the city of Paris
suddenly lies in the balance, what can Quasi do to help?
I know enough about the original novel to know about several
changes made to the story. For one
thing, this one doesn't have the dark ending of the novel. Also interesting, they split the character of
Frollo in two. In the book, he was the
Archdeacon of the cathedral. Here, he is
a purely political figure with an over abundance of spiritual fervor while the
new Archdeacon (voiced by David Ogden Stiers) has a much more open heart, I'd
dare say even tolerance, for those around him.
Now while they made some significant changes to the story,
the end result works well. I hadn't seen
the movie for years, so when I sat down to rewatch it recently, I was surprised
anew at just how powerful it is.
Everything works together to bring us a captivating and emotionally
rewarding story. The theme of tolerance
and the danger of hypocrisy come through without preaching.
I was also amazed at the detail in the animation. They went so far as to include grain in the
wood and texture in the stone. Some of
these shots are art.
There are a total of eight songs in the film, and they are
all Broadway caliber. Of course, what
else would you expect from the team of Alan Menken and Stephen Schwartz? They range from the fun "Topsy Turvy
Day" and "A Guy Like You" to the ballad "Out
There." My favorite is "God
Help the Outcasts." This song, sung
by Esmeralda, is so serious and absolutely perfect. It's one of my all time favorite Disney
songs.
Equally good is the voice cast. At first, some of the voices seem okay, but
as the story advances and the situations grow in intensity, they really pull
out all the stops to make these characters real to us.
The only problem the movie has is its schizophrenic
nature. As you would expect from Disney,
they are trying to appeal to kids. To
that end, they've given Quasimodo three gargoyle friends named Victor, Hugo,
and Laverne (played by Charles Kimbrough, Jason Alexander, and Mary Wickes
respectively). They act as Quasi's
conscience and comic relief. I enjoy
their scenes and the humor they provide, but many adults will find them a turn
off.
The subject matter and themes are really more adult in
nature. Honestly, outside of the
gargoyle scenes, I'm not sure that kids would even follow what is truly
happening. And they certainly wouldn't
find it as moving as an adult.
And that's not even counting the song
"Hellfire." Frollo sings it
late in the movie and it expresses the inner battle he is having with his
"fleshly" desires for Esmeralda.
Couple the words with some of the images, and I still shake my head over
how the film missed getting the PG rating is deserved. I'm not sure the images are worse than the
"Night on Bald
Mountain " sequence
from Fantasia, but couple them with the words and it's not exactly kid
friendly.
I do recommend The Hunchback of Notre Dame. But I suggest that parents watch it before
they turn their young kids loose with it.
Teens and adults will find the complexity of the story and characters a
surprising change from many animated films and definitely shouldn't miss it.
As a bit of trivia, watch the "Out There" sequence
for a cameo by a previous Disney heroine from another movie directed by this
movie's duo of Gary Trousdale and Kirk Wise.
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