Pros: Wonderful cast, okay mystery and laughs
Cons: Weak scripts makes the mystery and comedy less than it
could be
The Bottom Line:
Not the series best
Mystery, jokes just okay
Thin Man fans only
"What Happened?" "It Was the Table You Fixed. It Fainted Again."
I'm a little surprised at how much I have enjoyed The Thin
Man franchise since I thought I wasn't a classic film fan. But these movies from the 1930's and 40's
have certainly proved me wrong. I really
enjoy the mix of mystery and comedy.
Having said that, The Thin Man Goes Home has proved to be the weak link
in the series (so far). The fifth one
just doesn't live up to the first four.
A quick word of introduction in case you aren't familiar
with the films. These black and white
gems follow the adventures of Nick and Nora Charles (William Powell and Myrna
Loy). Nick is a retired detective who
made quite a name for himself. Nora is
his high society wife. They seem to
constantly stumble on mysteries, which delights Nora as much as Nick pretends
not to be happy to have a case to solve.
In this entry, Nick and Nora are off to visit Nick's parents
(played by Harry Davenport and Lucile Watson) in Sycamore Springs. Along for the trip is Asta the dog, but they
left little Nicky behind since he was enjoying kindergarten so much (like that
excuse would fly with any grandparent).
Nick is well known in his hometown, and everyone immediately
assumes he is there to work on a case.
Nora encourages those rumors if only to bring out the skeletons so Nick
can impress his father, who still wishes Nick had become a doctor.
All too soon, a young artist drops dead on the doorstep of
the Charles home. Now Nick and Nora have
a real mystery to solve. Can Nick do it?
Now before I start in on the problems with the film, I have
to start with the excellent cast. They
did a great job here. The only returning
members are William Powell and Myrna Loy.
Since they did sixteen films together, I'm sure it's no surprise to say
they work well together and have real chemistry as a happily married
couple. The rest of the cast is also
perfect as the various suspects and victims.
I can't fault them at all. There
is one character that is overacted most of the time, but it's the way she is written. Trust me, it works in context.
It's the script that lets them down.
As I said, these films are a mix of comedy and mystery. And it doesn't quite work on either level
here. The comedy in the early films
includes a little slapstick but mostly witty dialogue. Here, the wit is almost gone, replaced by
mostly slapstick. Don't get me wrong,
some of that is very funny. There's a
great scene with Nora wrestling with a folding lawn chair. Nick has given up drinking in this film (his
parents disapprove), yet the movie finds plenty of situations to make it look
like he is still drinking. I laughed
some, but not nearly as much as I have in previous films. Then there's the scene of Nick spanking
Nora. While played for laughs, it made
me uncomfortable.
The mystery suffers as well.
I have struggled with all the films to keep the characters, and
therefore the suspects, straight. But I
have found if I put the effort into it, I can put potential motives with
faces. Here, I was out of luck. We really didn't get to know any of the
suspects well enough for me to remember them when it came time for the
denouncement. There were a few
revelations and one nice twist over the course of the film, but most of the
plot was saved for the climax. I will
admit that the solution was logical and even solvable based on what came
before, which I appreciated. I just
would have liked to understood things better earlier.
And so The Thin Man Goes Home is a mixed bag. Fans of the series will definitely want to
watch it. But if you are new to the
franchise, start with one of the earlier, better films before watching this one.
No comments:
Post a Comment
Thanks for stopping by. In order to combat spam, I moderate most comments. I'll get to your comment as soon as I can.