Pros: More great music from Rich Mullins
Cons: The last of the great music from Rich Mullins
The Bottom Line:
The final part of
Rich Mullins' great legacy
Really delivers
Rich's Last Labor of Love for the Savior He Loved
In September of 1997, Christian recording artist Rich
Mullins was killed in a car accident. I
wasn't a huge fan at the time, but I did still feel a loss at the news. Days before he had recorded nine demos for
his next CD. His band came together
after his death, invited some friends along, and recorded studio versions of
those songs plus one more. Then these
tracks were released as the two disc The Jesus Record.
Disc one of The Jesus Record is also called The Jesus
Demos. These are the nine tracks just as
Rich recorded them. He'd been in a
church and used an old battery operated tape recorded. It's just him and a piano or guitar. There are pops in between songs where the
tape got started or stops. There's even
occasional hissing. But this is the disc
I find myself listening to the most.
There is something about Rich's vocals that make the songs sound all the
more intimate and special. However, just
for the variety it offers, I will be talking mainly about the studio versions
from disc two. The lyrics are the same,
so it's only the way they sound that is different. (As a side note, most of the songs are in
different orders on the two discs. Even
twelve years later, I'm still not sure why that is.)
Almost all of the songs on this disc focus on Jesus,
specifically his Earthly life. You could
almost use these songs in a musical if you wrote the right script for it. Some of the songs make me think about things
a tad differently, too.
Disc two starts out with "My Deliverer." The first verse is slow and haunting with an
orchestra heavy on the strings. The
first time the chorus is sung, it is sung by a children's choir. While they do speed things up for the second
verse, the tune is so catchy. It's one
of two songs guaranteed to get stuck in your head. The lyrics are a plea for God's
salvation. Couples with the music, it is
truly powerful.
"Surely God is With Us" takes a more pop feel with
the emphasis on guitar and percussion.
The lyrics talk about the differences between how the religious leaders
of his day viewed Jesus versus how the common people and "sinners"
saw Him. The bridge even incorporates
some of the Sermon on the Mount. It's
upbeat and fun.
"Nothing is Beyond You" is the first song to
feature one of the guest vocalists. Amy
Grant does a great job on this mid-tempo song that seems to pull its
inspiration from Psalm 139. I've never
found a connection between this reminder of God's power and Jesus' earthly
life. But that's not to say I don't love
it. It's a great praise song.
"You Did Not Have a Home" stopped me cold the
first time I heard it. Rich paints Jesus
as a homeless man and talked about how that freed Him from earthly constraints
and angered those who were beholden to their possessions. I had never quite pictured Jesus this
way. Yes, it took a little while to wrap
my head around this song, but I am better off for it. This is one of two songs that take a country
bent thanks to the harmonica and accordion used in the music.
But the country songs are interrupted by
"Jesus..." This song featured
Ashley Cleveland. I'm not usually a fan
of her vocal styles, especially coupled with her very slow singing. However, it works perfectly for this song
that pleads with Jesus to be a real in my life as He was back in the
Gospels. Wisely, they keep the
instruments simple with just the piano and strings. I've not listened to this version of the song
in years, and I had forgotten just how powerful it could be.
And we're back to country for "All the Way to Kingdom
Come." Since the instruments here
are just guitars and drums, I'm not quite sure why it gives off the same
country vibe, although it's not quite as song as "You Did Not Have a Home." This song reminds us of Jesus' love and how
it wasn't at all what we were looking for when He came to Earth.
"Man of No Reputation" is the only song not to
have an equivalent on the demo disc. It
moved Rich so much he wasn't sure if he could ever get through it completely
without breaking down crying. It does a
good job of balancing the God and human sides of Jesus, talking about how he
ruled the sun yet was considered a commoner by the rulers of his day. Frankly, I think the song might be a tad too
slow, although it does help the accordion not take over this ballad.
Michael W. Smith takes his first turn in the spotlight with
"Heaven in His Eyes." This mid
tempo song again talks about the contrast between Jesus as God and man - how He
could play with children and yet silence His opposition.
It took me several listens to truly get "Hard to
Get." This is the only song where I
still like Rich's version from the demos better. This version is just a little too slow,
although the harmonium in the background does give it a haunting nature. But now that I have listened to the words,
it's my favorite song here. In the first
two verses, the singer really does lash out at God for the trials in life,
wondering if God has stopped listening to those of us on Earth. It was this anger that was making me
uncomfortable until it gets to the bridge.
At that point, the singer begins to remember what Jesus experienced for
us, the pain He bore. Finally, the third
verse surrenders to God's perfect will to help carry him through the pain of
the trial. I have used it multiple times
when facing bad things to remind myself that God is still in control no matter
what things look like.
Finally comes "That Where I Am, There You..." This track actually starts with Rich and his
guitar from the demo. After the first
verse, they slowly transition into the studio version with Michael W. Smith
leading a choir of everyone who has worked on the disc. It's a nice tribute to Rich, especially since
the song borrows from John 14 as Jesus promises us the hope of Heaven. After the song ends, there are a few second
of silence followed by a recording of Rich playing "Nothing but the
Blood" on the hammer dulcimer. This
is the other song that gets stuck in my head very easily with its upbeat,
catchy tune. It's a great way to pay
final tribute to Rich.
When I decided to review this CD, I pulled out the second
disc for the first time in years and discovered just how good it really
is. The lyrics are still amazing, and
the studio recordings to add something to the songs. But that doesn't take away from the demos at
all. They are very rough, but there is
something special about hearing Rich's voice singing these songs.
No matter which disc you listen to, you'll find something to
enjoy on The Jesus Record. If you enjoy
Christian music of the 90's, you need to track down this set.
CD Length: 46:05
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