Pros: Wit and fun; acting
Cons: The romance
The Bottom Line:
Rapid dialogue
Gives plenty of fun.
But the
Romance does not work
"You've Got an Old Fashioned Idea that Divorce Means Something Nowadays."
I've heard enough talk about His Girl Friday that I knew at
some point I had to watch it. And a
showing on Turner Classic Movies provided the perfect opportunity for me to
take in this classic. I'd like to say I
loved it, but I did have some problems with it.
Walter Burns (Cary Grant) is the editor of a New York paper. His top reporter is Hildy Johnson (Rosalind
Russell), who also happens to be his ex-wife.
Hildy has been on leave since their divorce, and she breezes back into
town to tell Walter that she is about to marry a man named Bruce Baldwin (Ralph
Bellamy) and move to Albany . Walter doesn't take this lying down, however,
and soon convinces Hildy to write one last story.
Seems that tomorrow is the execution of Earl Williams (John
Qualen), a man convicted of murder. The
psychologists have determined that he is sane, but Walter thinks the man has
been railroaded. He offers Hildy a
chance to do a final interview, prove the man insane, and save a life.
Hildy can hardly pass that up, so she begins the interview.
Walter, meanwhile, is doing his best to sabotage things so she will miss her
train to Albany . Will Earl be spared from the noose? Will Hildy leave town?
I've got to admit to have a weird feeling at times as I was
watching the film. I know I have never
seen this movie before, but many of the scenes seemed familiar. I'm talking dialog, actors, camera angles,
everything. I'm willing to bet I've seen
those scenes in specials and documentaries over the years. Enough was new that I know I hadn't seen it
before.
The movie starts well enough. We pretty much jump right into the story,
learning about our characters as we go.
As the movie progresses, we get some pretty wild situations that are
certainly funny.
In a technique not used much in those days, the dialog is
often rapid fire, sometimes with the actors talking over themselves. When those scenes come, you do need to really
pay attention to follow everything happening.
The movie knows when it needs those scenes and when it needs to pull
back and allow the characters quiet times to truly develop.
I've got to give the actors credit, they handled the entire
material very well. They might not have
been used to the insane pace and overlap of the movie, but they don't show
it. And they switch from frantic paced
to slower with ease.
Since this movie is from 1940, it comes as no surprise that
it was filmed in black and white. After
a minute or two, I forgot I wasn't watching a modern, color movie.
This is equal parts romantic comedy and political/newspaper
story. And it's the romantic comedy part
where I had problems with the movie. For
starters, I didn't like Walter at all.
The guy is a jerk, and Hildy could have done so much better. Both the romance and the murder stories are
predictable at times, proving that formula was used just as much back then as
it is now. But what really bothered me
was the ending of the romantic story. It
felt forced and way too abrupt for my tastes.
The movie is based on a play and an earlier movie (remakes
are nothing new either) called The Front Page.
In that version, Hildy is a man, so it obviously leaves out the romantic
plot. Frankly, I think that explains a
lot of my problems with the romance here.
It feels forced into the story most of the time. If they wanted to include it here, they needed
to incorporate it better during the script stage.
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