Pros: Decent mystery, fun characters
Cons: No connection to
novel; 70's cheese
The Bottom Line:
Rock star, missing man
Another fun mystery
Dated production
During the late 70's, the adventures of teen detectives
Nancy Drew and the Hardy Boys made it to the small screen. During the first season, the two alternated
weeks solving crimes that, while not based on any of the books in the series,
mirrored their famous novels in plot depth.
The Flickering Torch Mystery was the fourth case that siblings Frank and
Joe Hardy solved.
Now I can hear you saying, "But one of the books in the
series is The Flickering Torch Mystery."
And you're completely right to point that out. If I read the book, it was so long ago I
don't remember much about it at all.
However, from the plot teaser for the book I've found on the internet,
there appears to be no connection between the two. This one also doesn't include a flickering
torch at all, but it is an interesting mystery.
Frank (Parker Stevenson) and Joe (Shaun Cassidy) are trying
to track down a missing man. He's a
sound engineer and vanished without a trace on the way to a small local
airport. Their father Fenton (Edmund
Gilbert), meanwhile, is working on concert security for rock star Tony Eagle
(Ricky Nelson). It's not surprise to
viewers when Tony knows the missing sound engineer. What does his disappearance have to do with
Tony?
This is actually a pretty decent mystery. No, there aren't too many red herrings, but
the clues lead logically from one to another to the ultimate solution. Frank and Joe even make a mistake along the
way, something that seems common in the TV show but never happens in the books.
Once again, I find myself really enjoying the
characters. There's an ease between them
that isn't present in the books. And
while I miss much of the supporting cast from the books, I understand the
limits of time and budget in keeping them out.
The acting is certainly fine. About the only performance that is truly off
is from the actress playing the missing man's distraught wife. Her big scene is almost painful to watch. Fortunately, she isn't around much, so the
rest of it is very pleasant.
There's plenty of late 70's cheese here from production
values to corny jokes to hair and clothes.
It's part of the charm, at least for me.
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